The Tisch Daggers are made from 100% Natural Bristle. They are scratchy and organic in their nature. This is the brush Andrew has designed, for an organic stroke. Should you wish for a sharper, tighter edge you might like to try our Ivory Daggers or the Evergreen Daggers.
They are made on our regular black handles and are available on both long and short handles.
“I paint a wide variety of subjects that require different technical approaches, therefore, I need a wide range of brushes that will allow me to create an engaging sense of reality across many genres. Rosemary and Co make the best brushes out there. I choose these brushes for their reliability and absolute quality” Andrew Tischler, 2018.
A favourite for landscapes, seascapes, building up texture and foiliage.
The Tisch Daggers are made from 100% Natural Bristle. They are scratchy and organic in their nature. This is the brush Andrew has designed, for an organic stroke. Should you wish for a sharper, tighter edge you might like to try our Ivory Daggers or the Evergreen Daggers.
They are made on our regular black handles and are available on both long and short handles.
“I paint a wide variety of subjects that require different technical approaches, therefore, I need a wide range of brushes that will allow me to create an engaging sense of reality across many genres. Rosemary and Co make the best brushes out there. I choose these brushes for their reliability and absolute quality” Andrew Tischler, 2018.
A favourite for landscapes, seascapes, building up texture and foiliage.
The Classic Filbert is very popular with oil painters. The oval end can be used to both make sweeping strokes but also fine lines when held vertically.
The Eclipse is a synthetic mongoose which is stiffer than sable, yet softer than bristle. Fan brushes use a special ferrule which spreads the hairs to form a fan shape. Used for several effects including grasses, fur and often for blending.
The Eclipse is a synthetic mongoose which is stiffer than sable, yet softer than bristle. The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer detail.
The Eclipse is a synthetic mongoose which is stiffer than sable, yet softer than bristle. The rigger shape is similar to a round but with much longer hair, also referred to as a “script” brush.
The Eclipse is a synthetic mongoose which is stiffer than sable, yet softer than bristle. The oval end can be used to both make sweeping strokes but also fine lines when held vertically.
The Eclipse is a synthetic mongoose which is stiffer than sable, yet softer than bristle. Ideal for oil and acrylic painting. Because of the shape, this brush is easy to hold in the hand and ideal for blending.
For the artist who likes a ‘mop’ feel to a brush. Will help you loosen up whilst retaining a beautiful tapered point. These will become a favourite for watercolour, acrylic and silk painters.
Commonly called ‘Nylon’, Golden Synthetic has some unique characteristics in that its retention, snap and spring are all superb. A favourite with botanical and ceramic artists. For intricate flower and petal work. Side loading and shading. Folk art and barge painters adore this brush.
Commonly called ‘Nylon’, Golden Synthetic has some unique characteristics in that its retention, snap and spring are all superb. A longer version of the standard pointed round brush. Tapered to a fine point. A favourite of botanical artists.