Da Vinci Series 5034 Pastel Applicator Brush Set With 6 Blender Brush Heads1 × $24.00
Da Vinci Multipurpose Red Sable Brush Set Series 5246 Water Colour1 × $40.35
Da Vinci Series 4226 Nova 4 Brush Set For Watercolor, Acrylic And Oil3 × $38.65
Daniel Smith Original Oil Color 37ml Paint Tube, AzoYellow1 × $28.92
Daniel Smith Extra Fine Watercolor 15ml Paint Tube, Venetian Red1 × $17.75
Daniel Smith Original Oil Color 37ml Paint Tube, Permanent Alizarin Crimson1 × $21.57
Da Vinci Series 4232 Pastel Blender 3 Brush Set3 × $40.85
Da Vinci golden synthetic fibre Round Watercolor Brush Size 202 × $36.40
Da Vinci Series 4237 Nova Miniature 5 Brush Set For Spotting, Retouching Or Detail Work1 × $23.95
Da Vinci Face & Body Painting Set Of 5 Special Brush Series 53512 × $34.70
Fullmark Correction Tape Model D, 5mm X 6m Each, 10-Pack ( Assorted Color )1 × $7.00
Daniel Smith Extra Fine Watercolor 15ml Paint Tube, Duochrome, Cabo Blue1 × $17.75Subtotal: $561.99
Out Of Stock
Commonly called ‘Nylon’, Golden Synthetic has some unique characteristics in that its retention, snap and spring are all superb. A longer version of the standard pointed round brush. Tapered to a fine point. A favourite of botanical artists.
Rosemary 344 Designer Rounds Golden Synthetic Brush Size 8
Out Of Stock
Out Of Stock
The reversible Pocket Brush is a convenient addition to your brush collection for those who like to paint on the move. The reversible handle allows for a convenient storage and prevents damage to the brush. A dream for urban sketchers, and a Plein Air must-have.
If you are looking for a wallet to store your Pocket Brushes please
Out Of Stock
Designed for oil and acrylics, yet works very well with watercolour. A blend of firmer Nylon filaments giving the strength of bristle yet delicate feel through the brush stroke. The rigger shape is similar to a round but with much longer hair, also referred to as a “script” brush.
Out Of Stock
Designed for oil and acrylics, yet works very well with watercolour. A blend of firmer Nylon filaments giving the strength of bristle yet delicate feel through the brush stroke. The rigger shape is similar to a round but with much longer hair, also referred to as a “script” brush.
Out Of Stock
Designed for oil and acrylics, yet works very well with watercolour. A blend of firmer Nylon filaments giving the strength of bristle yet delicate feel through the brush stroke. The rigger shape is similar to a round but with much longer hair, also referred to as a “script” brush.
Out Of Stock
Designed for oil and acrylics, yet works very well with watercolour. A blend of firmer Nylon filaments giving the strength of bristle yet delicate feel through the brush stroke. The rigger shape is similar to a round but with much longer hair, also referred to as a “script” brush.
Out Of Stock
A long sought solution to those unintended watercolor brush marks resulting from too much enthusiasm, haste or miscalculation.
Instructions for use:
1. Use the brush when barely damp, not wet.
2. Hold in a nearly vertical orientation and drag gently, but firmly back and forth along its’ long edge. (see photo)
3. Upon first noting the removal of paint, immediately dab the brush several times on a towel (paper, etc) and recommence “erasing”.
4. Rinse after 2 – 3 “erasures”, dab to remove excess wetness and continue.
Caution: too damp a brush and/or too vigorous “erasing” may damage the painting/paper.
For smaller areas, use the edge of the brush in a similar manner. For many smaller areas (“erase” and/or highlights), try using a Shiraz Short Flat, sizes #1 and/or #2.
Out Of Stock
A long sought solution to those unintended watercolor brush marks resulting from too much enthusiasm, haste or miscalculation.
Instructions for use:
1. Use the brush when barely damp, not wet.
2. Hold in a nearly vertical orientation and drag gently, but firmly back and forth along its’ long edge. (see photo)
3. Upon first noting the removal of paint, immediately dab the brush several times on a towel (paper, etc) and recommence “erasing”.
4. Rinse after 2 – 3 “erasures”, dab to remove excess wetness and continue.
Caution: too damp a brush and/or too vigorous “erasing” may damage the painting/paper.
For smaller areas, use the edge of the brush in a similar manner. For many smaller areas (“erase” and/or highlights), try using a Shiraz Short Flat, sizes #1 and/or #2.
Out Of Stock
Our Ultimate’ range of interlocked bristle brushes offer the artist a traditional brush but with double the interlock. We take two equal amounts of best quality Chinese bristle and set them opposite each other so that the natural curve is facing inwards. The bristle is selected in length and size to enable perfect balance. Although labor intensive this gives the artist a hard wearing brush. Traditionally bristle was used by artists who required a strong loaded stroke and not precision marks. If you are looking for a ‘tighter’ brush and one that retains its shape over time then select from our synthetic ranges designed to be crisp and ‘tight’ with a clean edge- for example ‘Ivory’ ‘Evergreen’ & ‘Eclipse’.
Out Of Stock
Our Ultimate’ range of interlocked bristle brushes offer the artist a traditional brush but with double the interlock. We take two equal amounts of best quality Chinese bristle and set them opposite each other so that the natural curve is facing inwards. The bristle is selected in length and size to enable perfect balance. Although labor intensive this gives the artist a hard wearing brush. Traditionally bristle was used by artists who required a strong loaded stroke and not precision marks. If you are looking for a ‘tighter’ brush and one that retains its shape over time then select from our synthetic ranges designed to be crisp and ‘tight’ with a clean edge- for example ‘Ivory’ ‘Evergreen’ & ‘Eclipse’.
Out Of Stock
Our Ultimate’ range of interlocked bristle brushes offer the artist a traditional brush but with double the interlock. We take two equal amounts of best quality Chinese bristle and set them opposite each other so that the natural curve is facing inwards. The bristle is selected in length and size to enable perfect balance. Although labor intensive this gives the artist a hard wearing brush. Traditionally bristle was used by artists who required a strong loaded stroke and not precision marks. If you are looking for a ‘tighter’ brush and one that retains its shape over time then select from our synthetic ranges designed to be crisp and ‘tight’ with a clean edge- for example ‘Ivory’ ‘Evergreen’ & ‘Eclipse’.