Commonly called ‘Nylon’, Golden Synthetic has some unique characteristics in that its retention, snap and spring are all superb. A longer version of the standard pointed round brush. Tapered to a fine point. A favourite of botanical artists.
Rosemary 344 Designer Rounds Golden Synthetic Brush Size 12
Commonly called ‘Nylon’, Golden Synthetic has some unique characteristics in that its retention, snap and spring are all superb. A longer version of the standard pointed round brush. Tapered to a fine point. A favourite of botanical artists.
Rosemary 344 Designer Rounds Golden Synthetic Brush Size 14
Commonly called ‘Nylon’, Golden Synthetic has some unique characteristics in that its retention, snap and spring are all superb. A longer version of the standard pointed round brush. Tapered to a fine point. A favourite of botanical artists.
Rosemary 344 Designer Rounds Golden Synthetic Brush Size 2
Commonly called ‘Nylon’, Golden Synthetic has some unique characteristics in that its retention, snap and spring are all superb. A longer version of the standard pointed round brush. Tapered to a fine point. A favourite of botanical artists.
Rosemary 344 Designer Rounds Golden Synthetic Brush Size 4
Commonly called ‘Nylon’, Golden Synthetic has some unique characteristics in that its retention, snap and spring are all superb. A longer version of the standard pointed round brush. Tapered to a fine point. A favourite of botanical artists.
Rosemary 344 Designer Rounds Golden Synthetic Brush Size 6
Commonly called ‘Nylon’, Golden Synthetic has some unique characteristics in that its retention, snap and spring are all superb. A longer version of the standard pointed round brush. Tapered to a fine point. A favourite of botanical artists.
Rosemary 344 Designer Rounds Golden Synthetic Brush Size 8
Designed for oil and acrylics, yet works very well with watercolour. A blend of firmer Nylon filaments giving the strength of bristle yet delicate feel through the brush stroke. The rigger shape is similar to a round but with much longer hair, also referred to as a “script” brush.
Designed for oil and acrylics, yet works very well with watercolour. A blend of firmer Nylon filaments giving the strength of bristle yet delicate feel through the brush stroke. The rigger shape is similar to a round but with much longer hair, also referred to as a “script” brush.
Designed for oil and acrylics, yet works very well with watercolour. A blend of firmer Nylon filaments giving the strength of bristle yet delicate feel through the brush stroke. The rigger shape is similar to a round but with much longer hair, also referred to as a “script” brush.
Designed for oil and acrylics, yet works very well with watercolour. A blend of firmer Nylon filaments giving the strength of bristle yet delicate feel through the brush stroke. The rigger shape is similar to a round but with much longer hair, also referred to as a “script” brush.
Our Ultimate’ range of interlocked bristle brushes offer the artist a traditional brush but with double the interlock. We take two equal amounts of best quality Chinese bristle and set them opposite each other so that the natural curve is facing inwards. The bristle is selected in length and size to enable perfect balance. Although labor intensive this gives the artist a hard wearing brush. Traditionally bristle was used by artists who required a strong loaded stroke and not precision marks. If you are looking for a ‘tighter’ brush and one that retains its shape over time then select from our synthetic ranges designed to be crisp and ‘tight’ with a clean edge- for example ‘Ivory’ ‘Evergreen’ & ‘Eclipse’.
